On the Move

The blue jay scuffling in the bushes follows
Some hidden purpose, and the gust of birds
That spurts across the field, the wheeling swallows,
Has nested in the trees and undergrowth.
Seeking their instinct, or their poise, or both,
One moves with an uncertain violence
Under the dust thrown by a baffled sense
Or the dull thunder of approximate words.

On motorcycles, up the road, they come:
Small, black, as flies hanging in heat, the Boys,
Until the distance throws them forth, their hum
Bulges to thunder held by calf and thigh.
In goggles, donned impersonality,
In gleaming jackets trophied with the dust,
They strap in doubt -- by hiding it, robust --
And almost hear a meaning in their noise.

Exact conclusion of their hardiness
Has no shape yet, but from known whereabouts
They ride, direction where the tires press.
They scare a flight of birds across the field:
Much that is natural, to the will must yield.
Men manufacture both machine and soul,
And use what they imperfectly control
To dare a future from the taken routes.

It is a part solution, after all.
One is not necessarily discord
On earth; or damned because, half animal,
One lacks direct instinct, because one wakes
Afloat on movement that divides and breaks.
One joins the movement in a valueless world,
Choosing it, till, both hurler and the hurled,
One moves as well, always toward, toward.

A minute holds them, who have come to go:
The self-defined, astride the created will
They burst away; the towns they travel through
Are home for neither bird nor holiness,
For birds and saints complete their purposes.
At worst, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.



-- Thom Gunn

Sonnet 129


Th' expense of spirit in a waste of shame
Is lust in action; and till action, lust
Is perjured, murd'rous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust,
Enjoyed no sooner but despised straight,
Past reason hunted; and, no sooner had
Past reason hated as a swallowed bait
On purpose laid to make the taker mad;
Mad in pursuit and in possession so,
Had, having, and in quest to have, extreme;
A bliss in proof and proved, a very woe;
Before, a joy proposed; behind, a dream.
    All this the world well knows; yet none knows well
    To shun the heaven that leads men to this hell.


-- William Shakespeare

he sings till everywhere is here


now(more near ourselves than we)
is a bird singing in a tree,
who never sings the same thing twice
and still that singing's always his

eyes can feel but ears may see
there lived a gayer he;
if earth and sky should break in two
he'd make them one(his song's so true)

who sings for us for you for me
for each leaf newer than can be:
and for his own(his love)his dear
he sings till everywhere is here


-- e. e. cummings


Time's a strange fellow; more he gives than takes


all nearness pauses, while a star can grow

all distance breathes a final dream of bells;
perfectly outlined against afterglow
are all amazing the and peacefull hills

(not where not here but neither's blue most both)

and history immeasurably is 
wealthier by a single sweet day's death:
as not imagined secrecies comprise

goldenly huge whole the upfloating moon.

Time's a strange fellow;
                                        more he gives than takes
(and he takes all)nor any marvel finds
quite disappeaance but some keener makes
losing,gaining
                        --love! if a world ends

more than all worlds begin to(see?)begin




-- e.e. cummings

that not all matterings of mind equal one violet

out of the lie of no
rises a truth of yes
(only herself and who
illimitably is)

making fools understand
(like wintry me)that not
all matterings of mind
equal one violet



-- e.e. cummings


read for sheer wonder mere surprise

for prodigal read generous
-- for youth read age --
read for sheer wonder mere surprise
(then turn the page)

contentment read for ecstasy
-- for poem prose --
caution for curiosity
(and close your eyes)



-- e.e. cummings