October-November



Indian-summer-sun
With crimson feathers whips away the mists;
Dives through the filter of trellises
And gilds the silver on the blotched arbor-seats.

Now gold and purple scintillate
On trees that seem dancing
In delirium;
Then the moon
In a mad orange flare
Floods the grape-hung night.



-- Hart Crane

...on a shoreline of the heart

"...Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss. But it had to go through its own lack of answers, through terrifying silence, through the thousand darknesses of murderous speech. It went through. It gave me no words for what was happening, but went through it. Went through and could resurface, 'enriched' by it all.

In this language I tried, during those years and the years after, to write poems: in order to speak, to orient myself, to find out where I was, where I was going, to chart my reality.

It meant movement, you see, something happening, being en route, an attempt to find a direction. Whenever I ask about the sense of it, I remind myself that this implies the question as to which sense is clockwise.

For the poem does not stand outside time. True, it claims the infinite and tries to reach across time -- but across, not above.

A poem, being an instance of language, hence essentually dialogue, may be a letter in a bottle thrown out to sea with the -- surely not alway strong -- hope that it may somehow wash up somewhere, perhaps on a shoreline of the heart. In this way, too, poems are en route: they are headed toward.

Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality.

Such realities are, I think, at stake in a poem.

I also believe that this kind of thinking accompanies not only my own efforts, but those of these, younger poets. Efforts of those who, with man-made stars flying overhead, unsheltered even by the traditional tent of the sky, exposed in an unscuspected, terrifying way, carry their existence into language, racked by reality and in search of it."

-- Paul Celan 

Search


I am torn because I cannot find on earth
An answer to the sunset's aching cry.
And in philosophers I feel the dearth
Of all philosophy. I long to die.

For man gropes like a worm along the earth
And cannot see his way, and does not know
What his own death may be, or what his birth,
Or why the rainbow comes, or why the snow.

I call upon the moon, and then the sun,
And search the moving heavens with my eyes. . . .
Then it is spring! And flowers leap up and run,
Torching the earth, exultant to the skies!


-- Richard Eberhart

Reality...must be searched and won

"This language, notwithstanding its inalienable complexity of expression, is concerned with precision. It does not transfigure or render 'poetical'; it names, it posits, it tries to measure the area of the given and the possible. True, this is never the working language itself, language as such, but always of an 'I' who speaks from the particular angle of reflection which is his existence and who is concerned with outlines and orientation. Reality is not simply there, it must be searched and won."

-- Paul Celan (as translated by Rosmarie Waldrop), Collected Prose