"For if poetry is not, as has been said, absolute reality, it comes very close to it, for poetry has a strong longing for, and a deep perception of, reality, situated as it is at that extreme limit of cooperation where the real seems to assume shape in the poem. Through analogy and symbolism, through the remote illuminations of mediating imagery, through the interplay of their correspondences in a thousand chains of reactions and strange associations, and finally, through the grace of a langugae into which the very rhythm of Being has been translated, the poet invests himself with a surreality that cannot be that of science. Is there among men a more striking dialectic, one that engages them more completely? Since even the philosophers are deserting the threshold of metaphysics, it is the poet's task to retrieve metaphysics; thus poetry, not philosophy, reveals itself as the true daughter of wonder, according to the words of that ancient philosopher to whom it was most suspect.
But more than a mode of perception, poetry is above all a way of life, of intergal life. The poet existed among the cave men; he will exist among men of the atomic age, for he is an inherent part of man. Even religions have been born from the need for poetry, which is a spiritual need, and it is through the grace of poetry that the divine spark lives forever in the human flint. When mythologies vanish, the divine finds refuge and perhaps even continuation in poetry."
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"Thus by his total adherence to that which is, the poet maintains for us a relationship with the permanence and unity of Being. And his lesson is one of optimism. For him the entire world of things is governed by a single law of harmony. Nothing can happen that by nature could exceed the measure of man. The worst upheavals of history are nothing but seasonal rhythms in a much vaster cycle of repetitions and renewals. And the Furies that cross the scene with lifted torches light only a fragment of the long historical process. Ripening civilizations do not die in the throes of one autumn: they merely change. Inertia is the only menace. The poet is the one who breaks through our habits. And in this way the poet finds himself tied to history despite himself. No aspect of the drama of his times is foreign to him. May he give all of us a clear taste of life in this great age. For this is a great and new time calling for a new self-appraisal. And, after all, to whom would we yield the honour of belonging to our age?"
-- Saint-John Perse (from Nobel Acceptance Speech)